“Again the multiplication symbolism,” Kat said. “Like the geometry of the Vesica Pisces.”
“But where do we go from here?” Monk asked. He stood with his shotgun on his shoulder, facing back into the crypt.
“Follow the riddle,” Gray answered. “The second stanza reads, ‘Where it drowns, it floats in darkness and stares to the lost king.’ We found where it floats in darkness, so we follow where it stares.” He pointed in the direction the first fish was facing.
It led further into the galleries.
Gray strode in that direction, searching around him. It did not take long to find a clear depiction of kings. Gray stopped before a fresco illustrating the adoration of the Magi. It was faded, but the details were plain enough. The Virgin Mary sat on a throne with the Christ child on her lap. Bowed before her were three robed figures, offering gifts.
“The Three Kings,” Kat said. “The Magi again.”
“We keep running into these guys,” Monk replied from a few paces down the passage.
Rachel frowned at the wall. “But what does it mean? Why lead us here? What did the Dragon Court learn?”
Gray let all the events of the past day trickle through his head. He didn’t fight for order, but simply let his mind roam. Connections formed, dissolved, reconfigured. Slowly he began to understand.
“The real question is, why did these ancient alchemists lead us here?” Gray said. “To this particular depiction of the Magi. As Monk mentioned, you can’t turn a corner in Italy without running into these kings. So why this fresco in particular?”
No one had an answer.
Rachel offered a possible avenue to pursue. “The Dragon Court went after the Magi bones. Maybe we need to look at it from that perspective.”
Gray nodded. He should’ve thought of that. They didn’t need to reinvent the wheel. The Dragon Court had already solved the riddle. All they had to do was backtrack. Gray considered this and found one possible answer.
“Maybe the fish is staring toward these particular kings because they are buried. In a graveyard. Under the earth, where a fish would drown. The answer to the clue is not living Magi, but dead and buried ones, in a crypt once filled with bones.”
Vigor made a small sound of surprise.
“So the Dragon Court went after the bones,” Rachel said.
“I think the Dragon Court already knew the bones were not bones,” Gray said. “They’ve had their nose to this trail for centuries. They must’ve known. Look what happened at the cathedral. They used the powder of white gold in some way to kill. They’re well ahead of the game.”
“And they want more power,” Rachel said. “The final solution of the Magi.”
Vigor’s eyes narrowed in concentration. “And if you’re right, Commander—about the significance of the Magi bones being taken out of Italy to Germany—maybe the transfer was not plunder as history attests, but was done by arrangement. To safeguard the amalgam.”
Gray nodded. “And the Dragon Court let them remain in Cologne…safely in sight. Knowing they were significant, but not knowing what to do with them.”
“Until now,” Monk said from a few paces away.
“But in the end,” Gray continued, “what do all these clues ultimately point to? Right now only to relics in a church. It doesn’t tell what to do with them, what they’re used for.”
“We’re forgetting,” Kat said. She had remained silent this entire time, focused on the fresco. “The stanza from the passage states the fish ‘stares to the lost king.’ Not ‘kings,’ plural. There are three kings here. I think we’re missing another layer of meaning or symbolism.” She turned to the others. “What ‘lost king’ is the clue hinting about?”
Gray struggled for an answer. There were riddles upon riddles.
Vigor had dropped his chin into his hand, concentrating. “There is a fresco in a neighboring catacomb. The Catacomb of Domatilla. The fresco is painted with not three Magi, but four. Because the Bible was never specific on the number of Magi, early Christian artists varied the number. The lost king could mean another Magi, the one missing here.”
“A fourth Magi?” Gray asked.
“A figure representative of the lost knowledge of the alchemists.” Vigor nodded, raising his head. “The second stanza’s message hints that the Magi bones can be used to find this fourth Magi. Whoever he may be.”
Rachel shook her head, drawing both Gray and Vigor’s attention. “Don’t forget this clue is buried in a crypt. I bet it’s not the fourth Magi that we’re supposed to find, but his tomb. One set of bones used to find another. Possibly another cache of amalgam.”
“Or something even greater. That would certainly excite the Dragon Court.”
“But how can the Magi bones help find this lost tomb?” Monk asked.
Gray headed back to the Crypt of Lucina. “The answer has to be in the thirds tanza.”
2:22 P.M.
WASHINGTON, D.C.
PAINTER CROWE woke to a knock on his door. He had fallen asleep in his chair, tilted back. Damn ergonomics…
He cleared the sleep from his throat. “Come in.”
Logan Gregory entered. His hair was wet and he wore a fresh shirt and jacket. It looked like he’d just come in for the day, rather than being here 24/7.
Logan must have noted his attention and ran a hand down his starched shirt. “I went down to the gym for a run. I keep a second set of clothes in my locker.”
Painter had no reply, flabbergasted. Youth. He didn’t think he could climb out of his chair, let alone run a few miles. But then again, Logan was only five years his junior. Painter knew it was stress more than age that weighed him down.
“Sir,” Logan continued, “I received word from General Rende, our liaison with the Carabinieri Corps in Rome. Commander Pierce and the others have gone to ground again.”
Painter leaned forward. “Another attack? They were supposed to be at the Vatican by now.”
“No, sir. After your call to them, they waved off the Carabinieri escort and took off on their own. General Rende wanted to know what was relayed to them. His field operative, Lieutenant Rachel Verona, informed him that you passed on some bit of intel. General Rende was not happy to be kept out of the loop.”
“And what did you tell him?”
Logan raised both eyebrows. “Nothing, sir. That is official Sigma policy, is it not? We know nothing.”