Ironstone stirred the ink and looked at him anxiously. His fury obviously showed clearly on his face, written there in small beads of sweat.
Concentrate, Orpheus, he told himself— and tried again. There were a few words that he could hardly decipher because the letters ran together so unsteadily, drunk with his rage. Why did he feel as if he were reading the words into a void? Why did they seem like pebbles being dropped down a well, where their echo was lost in the darkness? Something was wrong. He’d never felt like this before when he was reading aloud.
"Ironstone!" he ordered the glass man. "Run to the Hall of a Thousand Windows and see how the Bluejay is doing. He ought to be doubled up in agony like a poisoned dog by now."
The glass man lowered the twig he was using to stir the ink and looked at him in alarm. "But . . . but, master, I don’t know the way."
"Don’t make such a stupid fuss, or do you want me to ask the Night-Mare if it fancies a glass man for a change? Turn right outside this room and then go straight ahead.
Ask the guards the way!"
Unhappily, Ironstone set off. Silly creature! Fenoglio really might have thought up a less ridiculous kind of assistant to help scribes. But that was the trouble with this world — at heart, it was childish. Why had he loved the book so much when he was a child? Well, for that very reason! But now he was grown-up, and it was time this world grew up, too.
Another sentence — and once again the strange feeling that the words were dying away even before he spoke them. Damn it!
Dizzy with rage, he was reaching for the inkwell to throw it at the painted wall when he suddenly heard loud shouts outside. Orpheus put the inkwell back on the table and listened. What was all this? He opened his door and looked down the corridor. There were no guards outside the Adderhead’s bedchamber anymore, and two servants ran past him in a state of great agitation! By all the devils in hell, what did this mean?
And why was Dustfinger’s fire burning on the walls again?
Orpheus hurried out into the passage and stopped outside the Adderhead’s door. It was open, and the Silver Prince lay dead on his bed, his eyes open so wide that it wasn’t difficult to guess what his last sight had been.
Instinctively, Orpheus looked around before he went up to the bed, but of course the White Women had left long ago. They had what they’d been waiting so long for. But how? How had it happened?
"Yes, you’ll have to look for a new master, Four-Eyes!"
Thumbling came out from behind the hangings of the bed and gave him a hawkish smile. Orpheus saw the ring that the Adderhead had used to seal death sentences on his lean hand.
Thumbling was also wearing the Silver Prince’s sword.
"Let’s hope the stink washes out!" he murmured to Orpheus in a confidential tone as he flung his master’s heavy velvet coat over his shoulders. Then he strode away, down the corridor where Dustfinger’s fire whispered along the walls.
But Orpheus stood there feeling the tears run down his nose. All was lost! He’d staked everything on the wrong card, he’d put up with the stench of the rotting prince, bowed low to him, and wasted his time in this dark castle, all for nothing! It wasn’t he who had written the last song but Fenoglio; who else could it have been?
And presumably the Bluejay featured as the hero again, while Orpheus was the villain. No, worse! He played the ridiculous part of the loser!
He spat in the Adderhead ‘s rigid face and stumbled back to his room, where the useless words still lay on the table. Trembling with rage, he picked up the inkwell and poured its contents over what he had written.
"Master, master! Have you heard?" The glass man, out of breath, was standing in the doorway. He was quick on his spidery legs, you had to give him that.