Tom helps me into the carriage and the driver pulls away from the great, sprawling lady that is Victoria Station, clip-clopping toward the heart of London. The air is gloomy, alive with the smoke from the gaslights that line London's streets. The foggy grayness makes it seem like dusk, though it's only four o'clock in the afternoon. Anything could creep up behind you on such shadowy streets. I don't know why I think of this, but I do, and I immediately push the thought away.
The needle-thin spires of Parliament peek up over the dusky outlines of chimneys. In the streets, several sweat-drenched men dig deep trenches in the cobblestones.
"What are they doing?"
"Putting in lines for electric lights," Tom answers, coughing into a white handkerchief with his initials stitched on a corner in a distinguished black script. "Soon, this choking gaslight will be a thing of the past."
On the streets, vendors hawk their wares from carts, each with his own distinctive cry knives sharpened, fish to buy, get your apples apples here ! Milkmaids deliver the last of the day's milk. In a strange way, it all reminds me of India. There are tempting storefronts offering everything one can imaginetea, linens, china, and beautiful dresses copied from the best fashions of Paris. A sign hanging from a second-story window announces that there are offices to let, inquire within. Bicycles whiz past the many hansom cabs on the streets. I brace myself in case the horse spooks to see them, but the mare pulling us seems completely uninterested. She's seen it all before, even if I haven't.
An omnibus crowded with passengers sails past us, drawn by a team of magnificent horses. A cluster of ladies sits perched in the seats above the omnibus, their parasols open to shield them from the elements. A long strip of wood advertising Pears' soap ingeniously hides their ankles from view, for modesty's sake. It's an extraordinary sight and I can't help wishing we could just keep riding through London's streets, breathing in the dust of history that I've only seen in photographs. Men in dark suits and bowler hats step out of offices, marching confidently home after a day's work. I can see the white dome of St. Paul's Cathedral rising above the sooty rooftops. A posted bill promises a production of Macbeth starring the American actress Lily Trimble. She's ravishing, with her auburn hair loose and wild, a red gown cut daringly low on her bosom. I wonder if the girls at Spence will be as lovely and sophisticated.
"Lily Trimble is quite beautiful, isn't she?" I say by way of trying to make pleasant small talk with Tom, a seemingly impossible task.