“Are you high?” Robbie laughed. “I can’t just take off. I have a job.”
“You get vacation time, right? You can take a week. It’ll be great, man. The Realtor says it’s already in the eighties down there. Warm water, a beach—what more you want?”
“Uh, maybe a beach with people besides you and Leonard?” Robbie searched in vain for another beer. “I couldn’t go anyway—next week’s Zach’s spring break.”
“Yeah?” Emery shook his head. “So, you’re going to be at the store all day, and he’ll be home getting stoned. Bring him. We’ll put him to work.”
Leonard frowned, but Robbie looked thoughtful. “Yeah, you’re right. I hadn’t thought of that. I can’t really leave him alone. I guess I’ll think about it.”
“Don’t think, just do it. It’s Wednesday, tell ’em you’re taking off next week. They gonna fire you?”
“Maybe.”
“I’m not babysitting some—” Leonard started.
Emery cut him off. “You got that nitrate loaded? Let’s see it.”
They filed into the workroom. Leonard sat at the Steenbeck. The others watched as he adjusted the film on its sprockets. He turned to Robbie, then indicated the black projection box in the center of the deck.
“Emery knows all this, so I’m just telling you. That’s a quartz halogen lamp. I haven’t turned it on yet, because if the frame was just sitting there it might incinerate the film, and us. But there’s only about four seconds of footage, so we’re going to take our chances and watch it, once. Maybe you remember it from the gallery?”
Robbie nodded. “Yeah, I saw it a bunch of times. Not as much as the Head, but enough.”
“Good. Hit that light, would you, Emery? Everyone ready? Blink and you’ll miss it.”
Robbie craned his neck, staring at a blank white screen. There was a whir, the stutter of film running through a projector.
At the bottom of the frame the horizon lurched, bright flickers that might be an expanse of water. Then a blurred image, faded sepia and amber, etched with blotches and something resembling a beetle leg: the absurd contraption Robbie recognized as the original Bellerophon. Only it was moving—it was flying—its countless gears and propellers and wings spinning and whirring and flapping all at once, so it seemed the entire thing would vibrate into a thousand pieces. Beneath the fuselage, a dark figure perched precariously atop the velocipede, legs like black scissors slicing at the air. From the left corner of the frame leaped a flare of light, like a shooting star or burning firecracker tossed at the pedaling figure. The pilot listed to one side, and—
Nothing. The film ended as abruptly as it had begun. Leonard quickly reached to turn off the lamp, and immediately removed the film from the take-up drive.
Robbie felt his neck prickle—he’d forgotten how weird, uncanny even, the footage was.
“Jesus, that’s some bizarre shit,” said Emery.
“It doesn’t even look real.” Robbie watched as Leonard coiled the film and slid it in a canister. “I mean, the guy, he looks fake.”
Emery nodded. “Yeah, I know. It looks like one of those old silents, The Lost World or something. But it’s not. I used to watch it back when it ran a hundred times a day in our gallery, the way you used to watch the Head. And it’s definitely real. At least the pilot, McCauley—that’s a real guy. I got a big magnifier once and just stood there and watched it over and over again. He was breathing, I could see it. And the plane, it’s real too, far as I could tell. The thing I can’t figure is, who the hell shot that footage? And what was the angle?”
Robbie stared at the empty screen, then shut his eyes. He tried to recall the rest of the film from when it played in the General Aviation gallery: the swift, jerky trajectory of that eerie little vehicle with its bizarre pilot, a man in a black suit and bowler hat; then the flash from the corner of the screen, and the man toppling from his perch into the white and empty air. The last thing you saw was a tiny hand at the bottom of the frame, then some blank leader, followed by the words “The Maiden Flight of McCauley’s Bellerophon (1901).” And the whole thing began again.
“It was like someone was in the air next to him,” said Robbie. “Unless he got only six feet off the ground. I always assumed it was faked.”
“It wasn’t faked,” said Leonard. “The cameraman was on the beach filming. It was a windy day, they were hoping that would help give the plane some lift but there must have been a sudden gust. When the Bellerophon went into the ocean, the cameraman dove in to save McCauley. They both drowned. They never found the bodies, or the wreckage. Only the camera with the film.”
“Who found it?” asked Robbie.
“We don’t know.” Leonard sighed, his shoulders slumping. “We don’t know anything. Not the name of the cameraman, nothing. When Maggie and I ran the original footage, the leader said ‘Maiden Flight of McCauley’s Bellerophon.’ The can had the date and ‘Cowana Island’ written on it. So Maggie and I went down there to research it. A weird place. Hardly any people, and this was in the summer. There’s a tiny historical society on the island, but we couldn’t find anything about McCauley or the aircraft. No newspaper accounts, no gravestones. The only thing we did find was in a diary kept by the guy who delivered the mail back then. On May 13, 1901, he wrote that it was a very windy day and two men had drowned while attempting to launch a flying machine on the beach. Someone must have found the camera afterward. Somebody processed the film, and somehow it found its way to the museum.”
Robbie followed Leonard into the next room. “What was that weird flash of light?”
“I don’t know.” Leonard stared out a glass door into the parking lot. “But it’s not overexposure or lens flare or anything like that. It’s something the cameraman actually filmed. Water, maybe—if it was a windy day, a big wave might have come up onto the beach or something.”
“I always thought it was fire. Like a rocket or some kind of flare.”
Leonard nodded. “That’s what Maggie thought, too. The mailman—mostly all he wrote about was the weather. Which if you were relying on a horse-drawn cart, makes sense. About two weeks before he mentioned the flying machine, he described something that sounds like a major meteor shower.”