“What else do you remember?” I ask hesitantly. “About Naomi.” She was another unmentionable when I was growing up.
“She sang,” Yael says quietly. “All the time. At the Seders too. So there was lots of singing at the Seders—before. And people. When I was a child, we had a full house. Not after. Then it was just us. . . .” She trails off. “It wasn’t as joyful.”
“So tonight, there will be singing,” Paul says. “Someone get my guitar.”
“Oh, no. Not the guitar,” Matthew jokes.
“I like the guitar,” Lucas says.
“Me, too,” Kelsey says. “Reminds me of when we met.” Her and Paul’s eyes meet and tell a quiet story, the way Yael and Bram’s used to, and I feel a longing pull at me.
“Shall we sit down?” Kelsey asks, gesturing to the table. We take our seats.
“I know I railroaded you into this again, but Yael, would you mind being the leader?” Paul asks. “I’ve been studying up since last year and I’ll chime in, but I feel you’re better qualified. Otherwise we can ask Sister Karenna to do it.”
“What? I do it?” Sister Karenna jerks up.
“She’s a little deaf,” Declan whispers to me.
“You don’t have to do anything, Sister, but relax,” Kelsey says in a loud voice.
“I’ll do it,” Yael tells Paul. “If you help.”
“We’ll tag-team it,” Paul says, winking at me.
But Yael hardly seems like she needs the help. She says an opening prayer over the wine in a clear strong voice, as if she’s done this every year. Then she turns to Paul. “Maybe you might explain the point of the Seder.”
“Sure.” Paul clears his throat and starts a long meandering explanation about how a Seder is meant to commemorate the Jews’ exodus from Egypt, their escape from slavery and their return to the Promised Land, the miracles that ensued to make this happen. “Though this happened thousands of years ago, Jews today retell the story every year to rejoice in the triumphant history, to remember it. But here’s why I wanted to jump on the bandwagon. Because it’s not just a retelling or a celebration of history. It’s also a reminder of the price and the privilege of liberation.” He turns to Yael. “That sound right?”
She nods. “It’s a story we repeat because it’s a history we want to see repeated,” she says.
The Seder continues. We say blessings over the matzo, we eat the vegetables in salt water, and then the bitter herbs. Kelsey serves soup. “Not matzo ball, mulligatawny,” she says. “I hope lentils are okay.”
While we’re eating our soup, Paul suggests that since the point of the Seder is to retell a story of liberation, we all take a turn and talk about a time in our lives when we escaped some sort of oppression. “Or escaped anything really.” He goes first, talking about his life as it used to be, drinking, drugs, aimless and sad before he found God, and then found Kelsey and then found meaning.
Sister Karenna goes next, talking about escaping the brutality of poverty when she was taken in by a church school, and going on to become a nun to serve others.
Then it’s my turn. I pause. My first instinct is to tell about Lulu. Because really that was a day I felt like I escaped danger.
But I decide to tell a different story, in part because I don’t think this one has been told out loud since he died. The story of one hitchhiking girl and two brothers and the three centimeters that sealed all our fates. It’s not really my escape. It’s hers. But it is my story. The founding tale of my family. And as Yael said about the Seder, it’s a story I repeat because it’s a history I want to see repeated.
Thirty-two
The night before I fly back to Amsterdam, Mukesh calls to go over all my flight details. “I got you an exit row seat,” he says. “You’ll be more comfortable, with all your height. Though maybe if you tell them you are a Bollywood star, you’ll get business class.”
I laugh. “I’ll do my best.”
“When does the film come out?”
“I’m not sure. They just finished shooting.”
“Funny how it all worked out.”
“Right place, right time,” I tell him.
“Yes, but you wouldn’t have been in the right place in the right time had we not canceled your camel trip.”
“You mean it got canceled. Because the camels got sick.”
“Oh, no, camels just fine. Mummy asked me to bring you back early.” He lowers his voice. “Also, plenty of flights back to Amsterdam before tomorrow, but when you disappeared to the movie, Mummy asked me to keep you here a little bit longer.” He chuckles. “Right place, right time.”
The next morning, Prateek comes to drive us to the airport. Chaudhary shuffles to the curb to see us off, wagging his fingers and reminding us of the legally mandated taxi fares.
I sit in the backseat this time, because this time Yael is coming to with us. On the ride to the airport, she is quiet. So am I. I don’t quite know what to say. Mukesh’s confession last night has rattled me, and I want to ask Yael about it, but I don’t know if I should. If she’d wanted me to know, she would’ve told me.
“What will you do when you get back?” she asks me after a while.
“I don’t know.” I really have no idea. At the same time, I’m ready to go back.
“Where will you stay?”
I shrug. “I can stay on Broodje’s couch for a few weeks.”
“On the couch? I thought you were living there.”
“My room’s been rented.” Even if it hadn’t, everyone is moving out at the end of the summer. W is moving in with Lien in Amsterdam. Henk and Broodje are going to get their own flat together. It’s the end of an era, Willy, Broodje wrote me in an email.
“Why don’t you go back to Amsterdam?” Yael asks.
“Because there’s nowhere to go,” I say.
I look straight at her and she looks straight at me and it’s like we’re acknowledging that. But then she raises her eyebrow. “You never know,” she says.
“Don’t worry. I’ll land somewhere.” I look out the window. The car is climbing onto the expressway. I can already feel Mumbai falling away.
“Will you keep looking for her? That girl?”
The way she says it, keep looking, as if I haven’t stopped. And I realize in some way, I haven’t. Which is maybe the problem.
“What girl is this?” Prateek asks, surprised. I never told him of any girl.
I look at the dashboard, where Ganesha is dancing away just as he did on that first drive from the airport. “Hey, Ma. What was that mantra? The one from the Ganesha temple?”
“Om gam ganapatayae namaha?” Yael asks.
“That’s the one.”
From the front seat, Prateek chants it. “Om gam ganapatayae namaha.”
I repeat it. “Om gam ganapatayae namaha.” I pause as the sound floats through the car. “That’s what I’m after. New beginnings.”
Yael reaches out to touch the scar on my face. It’s faded now, thanks to her ministrations. She smiles at me. And it occurs to me that I might have already gotten what I asked for.
Thirty-three
MAY
Amsterdam
A week after I get back from India, while I’m still camped out at the couch on Bloemstraat trying to get over my jetlag and figure out what my next move is, I get an unlikely call.
“Hey, little man. You coming to clear your shit out of my attic?” There’s no introduction, no preamble. Not that I need one. Even though we have not spoken in years, I know the voice. It’s so much like his brother’s.
“Uncle Daniel,” I say. “Hey. Where are you?”
“Where am I? I’m in my flat. With my attic. That has your shit in it.”
This is a surprise. All the years I grew up, I have never actually seen Daniel in the flat he owns. It’s the same flat on the Ceintuurbaan that he and Bram used to live in. Back then, it was a squat. It’s where they were living when Yael came and knocked on the door and changed everything.
Within six months, Bram had married Yael and moved them into their own flat. Within another year, he’d cobbled together the funds to buy a broken-down old barge on the Nieuwe Prinsengracht. Daniel stayed in the squat, eventually getting a lease for it and then buying it from the city government for a pittance. Unlike Bram, who went on to fix up his boat, floorboard by floorboard, until it was the “Bauhaus on the Gracht,” Daniel left the flat in its state of anarchist disrepair and rented it out. He got almost nothing for it. “But nothing is enough to live like a king in Southeast Asia,” Bram used to say. So that’s where Daniel stayed, riding the ups and down of the Asian economy with a series of business ventures that mostly went nowhere.
“Your ma called,” Daniel continues. “Told me you were back. Said you might need a place to stay. I told her you needed to come get your shit out of my attic.”
“So I have shit in the attic?” I ask him, stretching out from the too-short sofa and trying to digest my surprise. Yael called Daniel? For me?
“Everyone has shit in the attic,” Daniel says, laughing a huskier, smokier version of Bram’s laugh. “When can you come over?”
We arrange for me to come over the next day. Daniel texts me the address, though that’s hardly necessary. I know his flat better than I know him. I know the stuck-in-time furniture—the zebra-striped egg chair, the 1950s lamps that Bram used to find at flea markets and rewire. I even know the smell, patchouli and hash. “It’s how this place has smelled for twenty years,” Bram would say when he and I would visit the flat together to fix a faucet or deliver keys to a new tenant. When I was younger, the lively multi-ethnic area where Daniel lived, right across from the treasures of the Albert Cuyp street market, seemed like another country from the quiet outer canal where we lived.
Over the years, the neighborhood has changed. The once working-class cafés around the market now serve things with truffles, and in the market, alongside the stalls hawking fish and cheese, there are designer boutiques. The houses have smartened up, too. You can see them through picture windows, the sparkling kitchens, the expensive clean-lined furniture.
Not Daniel’s place, though. As his neighbors renovated and upgraded, his flat dug into its time warp. I suspect that’s still the case, especially after he warns me that the buzzer doesn’t work and instructs me to call upon arrival so he can throw down the keys. So I’m caught a little off guard when he opens the door to the flat and I’m ushered into a lounge, all wide-plank bamboo floors, sage-colored walls, low, modern sofas. I look around the room. It’s unrecognizable, except for the egg chair, and even that’s been reupholstered.
“Little man,” Daniel says, though I am not little at all, a few fingers taller than him. I look at Daniel. His reddish hair is maybe a little shot through with gray, the smile lines cut a little deeper, but otherwise he’s the same.
“Little uncle,” I joke back, patting him on the head as I hand him back the keys. I walk around. “You’ve done something to the place,” I say, tapping a finger to my chin.
Daniel laughs. “Oh. I’m only halfway there, but that’s halfway farther than no way.”
“True enough.”
“I’ve got big plans. Actual plans. Where are my plans?” Out the window, there’s the roar of a jet rumbling through the clouds. Daniel watches it, then he resumes his search, spinning around peering at the crowded bookshelves. “It’s a little slow going because I’m doing the work myself, though I can afford to hire it out, but it just seemed like I should do it this way.”
