He grunted again, hands braced on the floor. And the sight of him like that, unable to even make a sly comment or half smile …
I went up to his wing. “This is going to hurt.” I clenched my jaw as I studied the way they’d pierced the beautiful membrane. I’d have to snap the arrows in two and slide each end out.
No—not snapping. I’d have to cut it—slowly, carefully, smoothly, to keep any shards and rough bits from causing further damage. Who knew what an ash splinter might do if it got stuck in there?
“Do it,” he panted, his voice hoarse.
There were seven arrows in total: three in this wing, four in the other. They’d removed the ones from his legs, for whatever reason—the wounds already half-clotted.
Blood dripped on the floor.
I took the knife from where it was strapped to my thigh, studied the entry wound, and gently gripped the shaft. He hissed. I paused.
“Do it,” Rhys repeated, his knuckles white as he fisted his hands on the ground.
I set the small bit of serrated edge against the arrow and began sawing as gently as I could. The blood-soaked muscles of his back shifted and tensed, and his breathing turned sharp, uneven. Too slow—I was going too slowly.
But any faster and it might hurt him more, might damage the sensitive wing.
“Did you know,” I said over the sound of my sawing, “that one summer, when I was seventeen, Elain bought me some paint? We’d had just enough to spend on extra things, and she bought me and Nesta presents. She didn’t have enough for a full set, but bought me red and blue and yellow. I used them to the last drop, stretching them as much as I could, and painted little decorations in our cottage.”
His breath heaved out of him, and I finally sawed through the shaft. I didn’t let him know what I was doing before I yanked out the arrowhead in a smooth pull.
He swore, body locking up, and blood gushed out—then stopped.
I almost loosed a sigh of relief. I set to work on the next arrow.
“I painted the table, the cabinets, the doorway … And we had this old, black dresser in our room—one drawer for each of us. We didn’t have much clothing to put in there, anyway.” I got through the second arrow faster, and he braced himself as I tugged it out. Blood flowed, then clotted. I started on the third. “I painted flowers for Elain on her drawer,” I said, sawing and sawing. “Little roses and begonias and irises. And for Nesta … ” The arrow clattered to the ground and I ripped out the other end.
I watched the blood flow and stop—watched him slowly lower the wing to the ground, his body trembling.
“Nesta,” I said, starting on the other wing, “I painted flames for her. She was always angry, always burning. I think she and Amren would be fast friends. I think she would like Velaris, despite herself. And I think Elain—Elain would like it, too. Though she’d probably cling to Azriel, just to have some peace and quiet.”
I smiled at the thought—at how handsome they would be together. If the warrior ever stopped quietly loving Mor. I doubted it. Azriel would likely love Mor until he was a whisper of darkness between the stars.
I finished the fourth arrow and started on the fifth.
Rhys’s voice was raw as he said to the floor, “What did you paint for yourself?”
I drew out the fifth, moving to the sixth before saying, “I painted the night sky.”
He stilled. I went on, “I painted stars and the moon and clouds and just endless, dark sky.” I finished the sixth, and was well on my way sawing through the seventh before I said, “I never knew why. I rarely went outside at night—usually, I was so tired from hunting that I just wanted to sleep. But I wonder … ” I pulled out the seventh and final arrow. “I wonder if some part of me knew what was waiting for me. That I would never be a gentle grower of things, or someone who burned like fire—but that I would be quiet and enduring and as faceted as the night. That I would have beauty, for those who knew where to look, and if people didn’t bother to look, but to only fear it … Then I didn’t particularly care for them, anyway. I wonder if, even in my despair and hopelessness, I was never truly alone. I wonder if I was looking for this place—looking for you all.”
The blood stopped flowing, and his other wing lowered to the ground. Slowly, the lashes on his back began to clot. I walked around to where he was bowed over the floor, hands braced on the rock, and knelt.
His head lifted. Pain-filled eyes, bloodless lips. “You saved me,” he rasped.
“You can explain who they were later.”
“Ambush,” Rhys said anyway, his eyes scanning my face for signs of hurt. “Hybern soldiers with ancient chains from the king himself, to nullify my power. They must have traced the magic I used yesterday … I’m sorry.” The words tumbled out of him. I brushed back his dark hair. That was why I hadn’t been able to use the bond, to speak mind to mind.
“Rest,” I said, and moved to retrieve the blanket from my pack. It’d have to do. He gripped my wrist before I could rise. His eyelids lowered. Consciousness ripped from him—too fast. Much too fast and too heavy.
“I was looking for you, too,” Rhys murmured.
And passed out.
CHAPTER
50
I slept beside him, offering what warmth I could, monitoring the cave entrance the entirety of the night. The beasts in the forest prowled past in an endless parade, and only in the gray light before dawn did their snarls and hissing fade.
Rhys was unconscious as watery sunlight painted the stone walls, his skin clammy. I checked his wounds and found them barely healed, an oily sheen oozing from them.