sugar to a sufficient working level.
Since I have no new movies to review for Femme Film Freak (as I’m severed from everything good and pure and wonderful about America—the
cinema), I fiddle with the layout. Create a new banner. Edit an old review. In the evening, Bridge emails me:
Went with Matt and Cherrie M (for meretricious) to the movies last night. And guess what? Toph asked about you!! I told him you’re great BUT
you’re REALLY looking forward to your December visit. I think he got the hint. We talked about his band for a minute (stil no shows, of course)
but Matt was making faces the whole time, so we had to go. You know how he feels about Toph. OH! And Cherrie tried to talk us into seeing
your dad’s latest tearjerker. I KNOW.
You suck. Come home.
Bridge
Meretricious. Showily attractive but cheap or insincere. Yes! That is so Cherrie. I just hope Bridge didn’t make me sound too desperate, despite my longing for Toph to email me. And I can’t believe Matt is stil weird around him, even though we’re not dating anymore. Everyone likes Toph. well ,
sometimes he annoys the managers, but that’s because he tends to forget his work schedule. And cal in sick.
I read her email again, hoping for the words Toph says he’s madly in love with you, and he’ll wait for all eternity to appear. No such luck. So I browse my favorite message board to see what they’re saying about Dad’s new film. The reviews for The Decision aren’t great, despite what it’s raking in at the box office. One regular, clockworkorange88, said this: It sucked balls. Dirty balls. Like I-ran-a-mile-in-July-while-wearing-leather-pants balls.
Sounds about right.
After a while I get bored and do a search for Like Water for Chocolate. I want to make sure I haven’t missed any themes before writing my essay. It’s not due for two weeks, but I have a lot of time on my hands right now. Like, all night.
Blah blah blah. Nothing interesting. And I’m just about to recheck my email when this passage leaps from the screen: Throughout the novel, heat is a
symbol for sexual desire. Tita can control the heat inside her kitchen, but the fire inside of her own body is a force of both strength and destruction.
“Anna?” Someone knocks on my door, and it startles me out of my seat.
No. Not s omeone. St. Clair.
I’m wearing an old Mayfield Dairy T-shirt, complete with yel ow-and-brown cow logo, and hot pink flannel pajama bottoms covered in giant strawberries.
I am not even wearing a bra.
“Anna, I know you’re in there. I can see your light.”
“Hold on a sec!” I blurt. “I’l be right there.” I grab my black hoodie and zip it up over the cow’s face before wrenching open the door. “Hisorryaboutthat.
Come in.”
I open the door wide but he stands there for a moment, just staring at me. I can’t read the expression on his face. Then he breaks into a mischievous
smile and brushes past me.
“Nice strawberries.”
“Shut up.”
“No, I mean it. Cute.”
And even though he doesn’t mean it like I-want-to-leave-my-girlfriend-and-start-dating-you cute, something flickers inside of me. The “force of strength
and destruction” Tita de la Garza knew so well . St. Clair stands in the center of my room. He scratches his head, and his T-shirt lifts up on one side,
exposing a slice of bare stomach.
Foomp! My inner fire ignites.
“It’s real y . . . er . . . clean,” he says.
Fizz. Flames extinguished.
“Is it?” I know my room is tidy, but I haven’t even bought a proper window cleaner yet. Whoever cleaned my windows last had no idea how to use a
bottle of Windex. The key is to only spray a little at a time. Most people spray too much and then it gets in the corners, which are hard to dry without
leaving streaks or lint behind—
“Yes. Alarmingly so.”
St. Clair wanders around, picking up things and examining them like I did in Meredith’s room. He inspects the col ection of banana and elephant
figurines lined up on my dresser. He holds up a glass elephant and raises his dark eyebrows in question.
“It’s my nickname.”
“Elephant?” He shakes his head. “Sorry, I don’t see it.”
“Anna Oliphant. ‘Banana Elephant . ’ My friend col ects those for me, and I col ect toy bridges and sandwiches for her. Her name is Bridgette
Saunderwick,” I add.
St. Clair sets down the glass elephant and wanders to my desk. “So can anyone cal you Elephant?”
“Banana Elephant. And no. Definitely not.”
“I’m sorry,” he says. “But not for that.”
“What? Why?”
“You’re fixing everything I set down.” He nods at my hands, which are readjusting the elephant. “It wasn’t polite of me to come in and start touching your things.”
“Oh, it’s okay,” I say quickly, letting go of the figurine. “You can touch anything of mine you want.”
He freezes. A funny look runs across his face before I realize what I’ve said. I didn’t mean it like that.
Not that that would be so bad.
But I like Toph, and St. Clair has a girlfriend. And even if the situation were different, Mer stil has dibs. I’d never do that to her after how nice she was my first day. And my second. And every other day this week.
Besides, he’s just an attractive boy. Nothing to get worked up over. I mean, the streets of Europe are fil ed with beautiful guys, right? Guys with