Anna and the French Kiss - Page 2/88

“Wel , kiddo. Guess you’re all grown up now.”

My body is frozen. He pul s my stiff limbs into a bear hug. His grip is frightening. “Take care of yourself. Study hard and make some friends. And watch out for pickpockets,” he adds. “Sometimes they work in pairs.”

I nod into his shoulder, and he releases me. And then he’s gone.

My mother lingers behind. “You’l have a wonderful year here,” she says. “I just know it.” I bite my lip to keep it from quivering, and she sweeps me into her arms. I try to breathe. Inhale. Count to three. Exhale. Her skin smel s like grapefruit body lotion. “I’l cal you the moment I get home,” she says.

Home. Atlanta isn’t my home anymore.

“I love you, Anna.”

I’m crying now. “I love you, too. Take care of Seany for me.”

“Of course.”

“And Captain Jack,” I say. “Make sure Sean feeds him and changes his bedding and fil s his water bottle. And make sure he doesn’t give him too many treats because they make him fat and then he can’t get out of his igloo. But make sure he gives him at least a few every day, because he stil needs the vitamin C and he won’t drink the water when I use those vitamin drops—”

She pul s back and tucks my bleached stripe behind my ear. “I love you,” she says again.

And then my mother does something that, even after all of the paperwork and plane tickets and presentations, I don’t see coming. Something that would’ve happened in a year anyway, once I left for col ege, but that no matter how many days or months or years I’ve yearned for it, I am stil not prepared for when it actual y happens.

My mother leaves. I am alone.

Chapter two

I feel it coming, but I can’t stop it.

PANIC.

They left me. My parents actual y left me! IN FRANCE!

Meanwhile, Paris is oddly silent. Even the opera singer has packed it in for the night. I cannot lose it. The wal s here are thinner than Band-Aids, so if I break down, my neighbors—my new classmates—wil hear everything. I’m going to be sick. I’m going to vomit that weird eggplant tapenade I had for dinner, and everyone will hear, and no one will invite me to watch the mimes escape from their invisible boxes, or whatever it is people do here in their spare time.

I race to my pedestal sink to splash water on my face, but it explodes out and sprays my shirt instead. And now I’m crying harder, because I haven’t unpacked my towels, and wet clothing reminds me of those stupid water rides Bridgette and Matt used to drag me on at Six Flags where the water is the wrong color and it smel s like paint and it has a bil ion tril ion bacterial microbes in it. Oh God.What if there are bacterial microbes in the water? Is French water even safe to drink?

Pathetic. I’m pathetic.

How many seventeen-year-olds would kil to leave home? My neighbors aren’t experiencing any meltdowns. No crying coming from behind their bedroom wal s. I grab a shirt off the bed to blot myself dry, when the solution strikes. My pillow. I col apse face-first into the sound barrier and sob and sob and sob.

Someone is knocking on my door.

No. Surely that’s not my door.

There it is again!

“Hel o?” a girl cal s from the hal way. “Hel o? Are you okay?”

No, I’m not okay. GO AWAY. But she cal s again, and I’m obligated to crawl off my bed and answer the door. A blonde with long, tight curls waits on the other side. She’s tal and big, but not overweight-big.Vol eybal player big. A diamondlike nose ring sparkles in the hal light. “Are you all right?” Her voice is gentle. “I’m Meredith; I live next door. Were those your parents who just left?”

My puffy eyes signal the affirmative.

“I cried the first night, too.” She tilts her head, thinks for a moment, and then nods. “Come on. Chocolat chaud. ”

“A chocolate show?” Why would I want to see a chocolate show? My mother has abandoned me and I’m terrified to leave my room and—

“No.” She smiles. “Chaud. Hot. Hot chocolate, I can make some in my room.”

Oh.

Despite myself, I fol ow. Meredith stops me with her hand like a crossing guard. She’s wearing rings on all five fingers. “Don’t forget your key. The doors automatical y lock behind you.”

“I know.” And I tug the necklace out from underneath my shirt to prove it. I slipped my key onto it during this weekend’s required Life Skil s Seminars for new students, when they told us how easy it is to get locked out.

We enter her room. I gasp. It’s the same impossible size as mine, seven by ten feet, with the same mini-desk, mini-dresser, mini-bed, mini-fridge, mini-sink, and mini-shower. (No mini-toilet, those are shared down the hal .) But . . . unlike my own sterile cage, every inch of wal and ceiling is covered with posters and pictures and shiny wrapping paper and brightly colored flyers written in French.

“How long have you been here?” I ask.

Meredith hands me a tissue and I blow my nose, a terrible honk like an angry goose, but she doesn’t flinch or make a face. “I arrived yesterday. This is my fourth year here, so I didn’t have to go to the seminars. I flew in alone, so I’ve just been hanging out, waiting for my friends to show up.” She looks around with her hands on her hips, admiring her handiwork. I spot a pile of magazines, scissors, and tape on her floor and realize it’s a work in progress.

“Not bad, eh? White wal s don’t do it for me.”

I circle her room, examining everything. I quickly discover that most of the faces are the same five people: John, Paul, George, Ringo, and some soccer guy I don’t recognize.