‘But be discreet about that,’ added Marsh, from the back of the room.
Erika went on, ‘I paid a visit to The Glue Pot pub last night. I got a positive ID from a barmaid called Kristina that Andrea was there the night she vanished. She says that Andrea was with a short-haired blonde woman, and then later, a dark-haired man.’
‘Are you going to bring this Kristina in, get her to do a photofit?’ asked Sparks.
‘She got scared off when I suggested this.’
‘Okay, what’s her surname?’ asked Sparks.
‘Well, I didn’t get that far before . . .’
Sparks smirked and nodded his head.
Erika went on, ‘Another woman I spoke to, Ivy Norris—’
Sparks interrupted. ‘Jeez. I wouldn’t believe anything Ivy Norris tells you. That old slapper is a known bullshitter and trouble maker.’
‘Yes, but Ivy Norris had a very weird reaction when I mentioned The Glue Pot. She was scared. Now, I want everything you can get on that pub. Find that barmaid, and interview the landlord. I believe there’s a link here to Andrea and we need to find it, fast, before things evaporate.’
‘DCI Foster. Can I have a word please?’ said Marsh.
‘Yes, sir . . . Moss and Peterson, I want you with me today; we’re going to get the results of the autopsy and the Douglas-Browns are doing the formal ID of the body.’
The incident room burst into busy chatter. Erika followed Marsh up to his office. She closed the door and took a seat opposite him.
‘The Douglas-Browns are coming in for the formal ID this morning?’
‘Yes. At half-ten.’
‘I’ll be issuing the official police statement at this time. Our press officer, Colleen, is very good, and of course we want to emphasise that this is the murder of an innocent girl. However, we need to be prepared that the press will find a political angle,’ said Marsh, ruefully.
‘Well, they need to sell papers,’ said Erika. There was a pause, and Marsh drummed his fingers on the desk.
‘I need to know what angle your investigation is taking,’ he said, finally.
‘I’m looking for the murderer, sir.’
‘Don’t be flippant.’
‘Well you were just there, in the incident room. This witness, Kristina, saw Andrea in The Glue Pot on the night she went missing. She says Andrea was with a blonde-haired woman and a dark-haired man. I’m looking for those people.’
‘And where is she now. This Kristina?’
‘Well, she ran away, and I didn’t get the chance to pursue any more information.’
‘Was she aware you were a police officer?’
‘Yes.’
‘Do you think she could have felt it was in her best interest to give you a positive ID of Andrea?’
‘Sir?’
‘Look, Erika. She is more than likely an illegal immigrant, terrified of being deported. She probably would have told you she saw Elvis at the juke box if she thought it might save her arse.’
‘Sir, no, I think I have a lead here. And another woman, a local, Ivy Norris. Her reaction to The Glue Pot was . . .’
‘I read last night’s duty log, Erika. It says you hit Ivy Norris’s grandson and then she pulled a knife on you.’
‘Yes, the boy bit me, and I reacted badly. But that’s not relevant. Sir, Ivy Norris knows this area, and something about that pub scares her.’
‘Did you know that last month four people were beheaded at the Rambler’s Rest in Sydenham? She’s probably not keen on going there for a drink either.’
‘Sir!’
Marsh went on, ‘I’ve had the Assistant Commissioner up my arse; I have to report to someone at the bloody cabinet office with updates on this investigation. They want assurances that unsavoury or unsubstantiated details of the Douglas-Brown family won’t be dredged up and played throughout the media.’
‘I don’t control the media. Nor do I leak details of investigations. You know that, sir.’
‘Yes but I need you to—’
‘Sir, I need to do my job. Be straight with me. Are you telling me there are things I can’t investigate?’
Marsh screwed up his face. ‘No!’
‘Then what are you telling me?’
‘I’m telling you to stick to the facts. We’ve long suspected The Glue Pot is involved in placing illegal immigrants in work, and it’s a regular hang-out for prostitutes. You need concrete facts before you start saying Andrea Douglas-Brown was in there on the night she vanished.’