Chapter 1
Boston University
October, 1974
Savannah Dupree turned the silver urn in her gloved hands, studying its intricate engravings through the bruise-colored tarnish that dulled the 200-year-old work of art. The floral motif tooled into the polished silver was indicative of the Rococo style of the early and mid-1700s, yet the design was conservative, much less ornate than most of the examples shown in the reference materials lying open on the study lab table in front of her.
Removing one of the soft white cotton curator's gloves meant to protect the urn from skin oils during handling, Savannah reached for one of the books. She flipped through several pages of photographed art objects, drinking vessels, serving dishes and snuff boxes from Italy, England and France, comparing their more elaborate styles to that of the urn she was trying to catalogue. She and the three other freshman Art History students seated in the university's archive room with her had been hand-picked by Professor Keaton to earn extra credit in his class by helping to log and analyze a recent estate donation of Colonial furnishings and artifacts.
She wasn't blind to the fact that the single professor had selected only female students for his after-hours extra credit project. Savannah's roommate, Rachel, had been ecstatic to have been chosen. Then again, the girl had been campaigning for Keaton's attention since the first week of class. And she'd definitely gotten noticed. Savannah glanced toward the professor's office next door, where the dark-haired man now stood at the window, talking on the phone, yet staring with blatant interest at pretty, red-haired Rachel in her tight, low-cut sweater and micro-miniskirt.
"Isn't he a fox?" she whispered to Savannah, a row of thin metal bangle bracelets clinking musically as Rachel reached up to hook her loose hair behind her ear. "He could be Burt Reynolds' brother, don't you think?"
Savannah frowned, skeptical. She glanced over at the lean man with the shoulder-length hair and overgrown moustache, and the mushroom-brown corduroy suit and open-necked satin shirt. A zodiac sign pendant glinted from within a thick nest of exposed chest hair. Fashionable or not, the look didn't do a thing for Savannah. "Sorry, Rach. I'm not seeing it. Unless Burt Reynolds has a brother in the porno business. Plus, he's too old for you. He must be close to forty, for crying out loud."
"Shut up! I think he's cute." Rachel giggled, crossing her arms under her breasts and tossing her head in a move that had Professor Keaton leaning closer to the glass, practically on the verge of drooling. "I'm gonna go see if he wants to check my work. Maybe he'll ask me to stay after school and clean his erasers or something."
"Mm-hmm. Or something," Savannah drawled through her smile, shaking her head as Rachel waggled her brows then sauntered toward the professor's office. Having come to Boston University on a full academic scholarship and the highest SAT scores across twenty-two parishes in south central Louisiana, Savannah didn't really need help bolstering her grades. She'd accepted the extra credit assignment only out of her insatiable love for history and learning.
She looked at the urn again, then retrieved another catalogue of London silver from the Colonial period and compared the piece to the ones documented on the pages. Doubting her initial analysis now, she picked up her pencil and erased what she'd first written in her notebook. The urn wasn't English in origin. American, she corrected. Likely crafted in New York or Philadelphia, if she were forced to guess. Or did the simplicity of the Rococo design lean more toward the work of a Boston artisan?
Savannah huffed out a sigh, frustrated by how tedious and inexact the work was proving to be. There was a better way, after all.
She knew of a far more efficient, accurate way to resolve the origins--all the hidden secrets--of these old treasures. But she couldn't very well start fondling everything with her bare hands. Not with Professor Keaton in his office a few feet away. Not with her other two classmates gathered at the table with her, working on their own items from the collection. She wouldn't dare use the peculiar skill she'd been born with.
No, she left that part of her back home in Acadiana. She wasn't about to let anyone up here in Boston think of her as some voodoo freak show. She was different enough among the predominantly white student body. She didn't want anyone knowing how truly strange she was. Aside from her only living kin--her older sister, Amelie--no one knew about Savannah's extrasensory gift, and that's how she intended to keep it.
Much as she loved Amelie, Savannah had been happy to leave the bayou behind and try to make her own path in life. A normal life. One that wasn't rooted in the swamps with a Cajun mother who'd been more than a shade eccentric, for all Savannah could recall of her, and a father who'd been a drifter, absent for all of his daughter's life, little better than a rumor, according to Amelie.
If not for Amelie, who'd practically raised her, Savannah would have belonged to no one. She still felt somehow out of place in the world, lost and searching, apart from everyone else around her. For as long as she could remember, she'd felt...different.
Which was probably why she was striving so hard to make her life normal.
She'd hoped moving away to attend college right out of high school would give her some sense of purpose. A feeling of belonging and direction. She'd taken the maximum load of classes and filled her evenings and weekends with a part-time job at the Boston Public Library.
Oh, shit.
A job she was going to be late for, she realized, glancing up at the clock on the wall. She was due for her 4PM shift at the library in twenty minutes--barely enough time to wrap up now and hurry her butt across town.
Savannah closed her notebook and hastily straightened up her work area at the table. Picking up the urn in her gloved hands, she carried the piece back into the archive storage room where the rest of the donated collection's catalogued furniture and art objects had been placed.
As she set the silver vessel on the shelf and put away her gloves, something caught her eye in a dim corner of the room. A long, slender case of some sort stood propped against the wall, partially concealed behind a rolled-up antique rug.
Had she and the other students missed an item?
She strode over to get a better look. Behind the bound rug was an old wooden case. About five feet in length, the container was unremarkable except for the fact that it seemed deliberately separated--hidden--from the rest of the things in the room.
What was it?
Savannah moved aside the heavy, rolled rug, struggling with its unwieldy bulk. As she leaned the rug against the perpendicular wall, she bumped the wooden case. It tipped forward suddenly, about to crash to the floor.
Panicked, Savannah lunged, shooting her arms out and using her entire body to break the case's fall. As she caught it, taking the piece down with her onto her knees, the old leather hinges holding it together snapped apart with a soft pop-pop-pop.
A length of cold, smooth steel tumbled out of the case and into Savannah's open hands.
Her bare hands.
The metal was a jolting chill against her palms. Heavy. Sharp-edged. Lethal.
Startled, Savannah sucked in a breath, but couldn't move fast enough to avoid the prolonged contact or the power of her gift, which stirred to life inside her.
The sword's history opened up to her, like a window into the past. A random moment, fused forever into the metal and now exploding in vivid, if scattered, detail in Savannah's mind.
She saw a man holding the weapon before him as in combat.
Tall and menacing, a mane of thick blond waves danced wildly around his head as he stared down an unseen opponent under a black-velvet, moonlit sky. His stance was unforgiving, the air about him as grim as death itself. Piercing blue eyes cut through the tendrils of sweat-dampened hair that drooped into the ruthless angles of his face and square-cut jaw.