The Scavenger moans, doubling up, and I jump over her, dodging all the police barricades, which are lying in a tumbled, broken ruin. The screaming is still a crest of sound around me: It has turned into one tremendous wail, like a gigantic, amplified siren.
I make it to the old subway entrance. For just a second I hesitate with my hand on the wooden plank. Its texture is comforting—weather-beaten, warmed by the sun—a bit of normalcy in the middle of all this madness.
Another rifle shot: I hear a body thud to the ground behind me. More screaming.
I lean forward and push. The door swings open a few feet, revealing murky darkness and a pungent, musty smell.
I don’t look back.
I push the door shut again and stand for a moment, letting my eyes adjust to the dimness, listening for the sound of voices or footsteps. Nothing. The smell is sharper in here; it is the smell of old death, animal bones and rotting things. I bring my jacket cuff to my nose and inhale. There’s a steady dripping off to my left. Other than that, it’s quiet.
There are stairs in front of me, covered in bits of crumpled newspaper, mashed-up Styrofoam cups, cigarette butts, all dully illuminated by an electric lantern, like the kind we used in the Wilds. Someone must have planted it here earlier.
I move toward the stairs, on high alert. Julian’s bodyguards might have heard me shoving open the door. They might be lying in wait, ready to jump me. Mentally I curse the metal detectors and all the body scans. I would give anything to have a knife, a screwdriver, something.
Then I remember my keys. I once again ease my backpack off my shoulders. When I bend my elbow, the pain makes me suck in my breath. I’m thankful I landed on my left arm—with my right arm immobilized, I’d be pretty much useless.
I find my keys at the bottom of my bag, moving agonizingly slowly so I don’t make too much noise. I thread the keys through my fingers, like Tack showed me how to do. It’s not much of a weapon, but it’s better than nothing. Then I go down the stairs, scanning the shadows for anything mobile, any sudden shapes rising through the darkness.
Nothing. Everything is perfectly still, and very quiet.
At the bottom of the stairs, there is a dingy glass booth, still smudgy with fingerprints. Beyond it, rusted turnstiles line the tunnel, a dozen of them, like miniature windmills that have been stilled. I ease myself over one of them and land softly on the other side. From here, various tunnels branch out into the darkness, each marked with different signs, more letters and numbers. Julian might have gone down any one of them. And all of them are swallowed in shadow: The lantern doesn’t penetrate this far. I consider going back to retrieve it, but that would only give me away.
Again, I stop and listen. At first there is nothing. Then, I think I hear a muffled thud from the tunnel on my left. As soon as I start toward the sound, however, there is silence once again. Now I’m sure I only imagined the noise, and I hesitate, frustrated, unsure about what to do next. I’ve failed in my mission, that’s obvious—my first real mission of the movement. At the same time, Raven and Tack can’t blame me for losing Julian when the Scavengers attacked. I couldn’t have predicted or prepared for that chaos. No one could have.
I figure my best bet is to wait down here for a few hours, at least until the police have restored order, which I have no doubt they will. If necessary, I’ll camp out for the night. Tomorrow I’ll deal with getting back to Brooklyn.
Suddenly, a darting shadow from my left. I whirl around, fist extended, and connect with nothing but air. A giant rat scurries in front of me, a bare inch from my sneaker. I exhale, watching the rat darting off down another tunnel, its long tail dragging in the filth. I’ve always hated rats.
That’s when I hear it, distinct and unmistakable: two thuds, and a low groan, a voice moaning out, “Please…”
Julian’s voice.
My body goes prickly all over. Now the fear draws my insides hard and taut. The voice came from somewhere farther down the tunnel.
I ease back against one wall, pressing myself flat, feeling moss and slick tile under my fingers as I move forward slowly, careful not to make any noise when I step, careful not to breathe too loudly. After every few paces I stop and listen, hoping for another sound, hoping Julian will say something again. But the only thing I hear is a steady drip, drip, drip. There must be a pipe leaking somewhere.
Then I see it.
The man is strung from a grate in the ceiling, a belt looped tightly around his bulging neck. Above him, water condenses on a metal pipe, dripping onto the tunnel floor. Drip, drip, drip.
It’s so dark I can’t make out the man’s face—the grate permits only a trickle of gray light from above—but I recognize him from the heaviness of his shoulders as one of Julian’s bodyguards. At his feet, another bodyguard is lying curled up in the fetal position. There is a long-handled blade protruding from his back.
I stumble backward, forgetting to be quiet. Then I hear Julian’s voice again, fainter: “Please…”
I’m terrified. I don’t know which direction the voice is coming from, can’t think of anything but getting out, out, out. I’d rather face the Scavengers in the open than trapped here, like a rat, in the dark. I will not die underground.
I run blindly, keeping my arms in front of me, collide first with a wall before groping my way into the center of the tunnel. Panic has made me clumsy.
Drip, drip, drip.
Please. Please get me out of here. My heart will explode; I can’t take a breath.
Two black shapes unfold all at once from either side of me, and in my terror they look like enormous dark birds, reaching out their wings to enfold me.
“Not so fast,” one of them says. He grabs my wrist. The keys are knocked from my hand. Then searing pain, a flash of white.
I sink into the dark.