At the north end of the corridor, Jaz crouched next to Cleo, tending her arm, which had been turned into a sunflower. Cleo had got off better than her opponent, though. At her feet lay a human-sized volume of the novel David Copperfield, which I had a feeling had once been an enemy magician.
(Carter tells me David Copperfield is a magician. He finds this funny for some reason. Just ignore him. I do.)
Even our ankle-biters had got into the act. Young Shelby had scattered her crayons down the hallway to trip the enemy. Now she was wielding her wand like a tennis racket, running between the legs of adult magicians, swatting them on the bottom and yelling, “Die, die, die!”
Aren’t children adorable?
She swatted a large metal warrior, a shabti no doubt, and he transformed into a rainbow-colored potbellied pig. If we lived through the day, I had a bad feeling Shelby would want to keep it.
Some of the First Nome residents were helping us, but depressingly few. A handful of tottering old magicians and desperate merchants threw talismans and deflected spells.
Slowly but surely, we waded toward the doors, where the main wedge of enemies seemed to be focused on a single attacker.
When I realized who it was, I was tempted to turn myself into a hamster and scamper away, squeaking.
Walt had arrived. He ripped through the enemy line with his bare hands—throwing one rebel magician down the hallway with inhuman strength, touching another and instantly encasing the man in mummy linen. He grabbed the staff of a third rebel, and it crumbled to dust. Finally he swept his hand toward the remaining enemies, and they shrank to the size of dolls. Canopic jars—the sort used to bury a mummy’s internal organs—sprang up around each of the tiny magicians, sealing them in with lids shaped like animal heads. The poor magicians yelled desperately, banging on the clay containers and wobbling about like a line of very unhappy bowling pins.
Walt turned to our friends. “Is everyone all right?”
He looked like normal old Walt—tall and muscular with a confident face, soft brown eyes, and strong hands. But his clothes had changed. He wore jeans, a dark Dead Weather T-shirt, and a black leather jacket—Anubis’s outfit, sized up to fit Walt’s physique. All I had to do was lower my vision into the Duat, just a bit, and I saw Anubis standing there in all his usual annoying gorgeousness. Both of them—occupying the same space.
“Get ready,” Walt told our troops. “They’ve sealed the doors, but I can—”
Then he noticed me, and his voice faltered.
“Sadie,” he said. “I—”
“Something about opening the doors?” I demanded.
He nodded mutely.
“Amos is in there?” I asked. “Fighting Kwai and Jacobi and who knows what else?”
He nodded again.
“Then stop staring at me and open the doors, you annoying boy!”
I was talking to both of them. It felt quite natural. And it felt good to let my anger out. I’d deal with those two—that one—whatever he was—later. Right now, my uncle needed me.
Walt/Anubis had the nerve to smile.
He put his hand on the doors. Gray ash spread across the surface. The bronze crumbled to dust.
“After you,” he told me, and we charged into the Hall of Ages.
18. Death Boy to the Rescue
THE GOOD NEWS: Amos wasn’t entirely alone.
The bad news: his backup was the god of evil.
As we poured into the Hall of Ages, our rescue attempt sputtered to a stop. We hadn’t expected to see a deadly aerial ballet with lightning and knives. The normal floating hieroglyphs that filled the room were gone. The holographic curtains on either side of the hall flickered weakly. Some had collapsed altogether.
As I’d suspected, an assault team of enemy magicians had locked themselves in here with Amos, but it looked like they were regretting their choice.
Hovering midair in the center of the hall, Amos was cloaked in the strangest avatar I’d ever seen. A vaguely human form swirled around him—part sandstorm, part fire, rather like the giant Apophis we’d seen upstairs, except a lot happier. The giant red warrior laughed as he fought, spinning a ten-meter black iron staff with careless force. Suspended in his chest, Amos copied the giant’s moves, his face beaded with sweat. I couldn’t tell if Amos was directing Set or trying to restrain him. Possibly both.
Enemy magicians flew circles around him. Kwai was easy to spot, with his bald head and blue robes, darting through the air like one of those martial arts monks who could defy gravity. He shot bolts of red lightning at the Set avatar, but they didn’t seem to have much effect.
With her spiky black hair and flowing white robes, Sarah Jacobi looked like the Schizophrenic Witch of the West, especially as she was surfing about on a storm cloud like a flying carpet. She held two black knives like barbershop razors, which she threw over and over in a horrific juggling act, launching them into the Set avatar, then catching them as they returned to her hands. I’d seen knives like that before—netjeri blades, made from meteoric iron. They were mostly used in funeral ceremonies, but they seemed to work quite well as weapons. With every strike, they disrupted the avatar’s sandy flesh a little more, slowly wearing it down. As I watched her throw her knives, anger clenched inside me like a fist. Some instinct told me that Jacobi had stuck my Russian friend Leonid with those knives before leaving him to die.
The other rebels weren’t quite as successful with their attacks, but they were certainly persistent. Some blasted Set with gusts of wind or water. Others launched shabti creatures, like giant scorpions and griffins. One fat bloke was pelting Amos with bits of cheese. Honestly, I’m not sure I would have chosen a Cheese Master for my elite hit squad, but perhaps Sarah Jacobi got peckish during her battles.
Set seemed to be enjoying himself. The giant red warrior slammed his iron staff into Kwai’s chest and sent him spiraling through the air. He kicked another magician into the holographic curtains of the Roman Age, and the poor man collapsed with smoke coming out his ears, his mind probably overloaded with visions of toga parties.