"You agreed to talk later," Dan said. "I want to know what’s going on now. It’s my damn company, Mother."
"Actually," I said, "that’s part of the problem. It’s not."
Dan stared at me. Cookie stared at me. Kellin stood behind Cookie with all the emotion of a sideboard, looking at nothing in particular.
"I’d been wondering how Sheff Construction had repositioned itself for the Travis Center deal in ’85," I said. "You were on the edge of bankruptcy, then overnight you were a powerhouse again. Even to your partners who were helping you to obtain the contract, you couldn’t have looked like a very safe investment. I was also wondering how Terry Garza had the balls to push the Sheff family around. After all, he was supposed to be your faithful employee. So I just checked the files on your personal computer, Mrs. Sheff."
Cookie was totally still. Dan swayed a little, looking down at me.
“What are you saying?"
“This isn’t your company, Dan. It hasn’t belonged to the Sheffs since ’85, when your dad had dug a debt hole so big he couldn’t possibly climb out on his own. You were quietly bought out, taken over, repossessed. Then you were used to make the new owner and his partners, maybe the mob, a lot of money on city building contracts. Congratulations, Dan. You’re going to inherit an honorary director’s title, the right to use your own name without getting sued for trademark violation, and if you’re a good boy, a modest yearly stipend. You’re just an employee, like Moraga and Garza. Like your mother."
Outside, the band ended its song. Applause. An announcement about a new case of champagne being opened. Dan Sheff was swaying a little more, like he wanted to fall over but couldn’t quite decide which way. His blue eyes were vacant.
“Mother?" His tone wasn’t exactly angry. It was more pleading, hopeful that his mom might have a speech in her repertoire to cover this contingency. Cookie didn’t offer one.
I pushed the faded pink letter toward her. “As near as I can figure, you told my father only one thing that was true. Sheff Construction was being used. That isn’t Dan Sr. getting rid of Randall Halcomb in the blackmail photos; nobody with Parkinson’s, even the beginnings of Parkinson’s, is going to shoot someone cleanly between the eyes with a .22 on a dark night. It wasn’t the Sheff family that ordered Garza to pay the blackmail, or Moraga to kidnap Lillian so she couldn’t talk. You’re not protecting your son or your husband, Mrs. Sheff. You’re protecting your owner."
When Dan stumbled backward, Kellin was there instantly to steady him. Kellin helped Dan raise the bourbon glass to his mouth.
Cookie was shaking her head. “All I want, Mr. Navarre, is for you to leave. My son is going to inherit his company. He will get Lillian back safely without your help, or that of the police. Then he’s going to marry her."
She could’ve been reading from Dr. Seuss, the way she said it. For some reason that thought made me angry .
“I can’t leave it like that," I said.
Dan started to say something, but Cookie silenced him with a look. Then she nodded at Kellin.
“Good night, Mr. Navarre."
It wasn’t much of a fight. Even if I’d been sober, Kellin would’ve had speed on his side and a score to settle. Two punches connected with my gut. Then I was lying on the Sheffs’ antique kilim rug, looking at the ceiling with a funny warm feeling in my head. I think it was Kellin’s boot.
We went out a side door through the kitchen. Kellin dragged me along at just the right angle so I could admire the Saltillo tiles. The waiter tried to give me back my garbage can. A few of the cooks were telling jokes in Spanish. They got quiet as we went past. When Kellin dragged me around to the front yard I looked up briefly into Fernando Asante’s face. The councilman was just going into the party with his satin-dressed cherubs and a few tuxedoed businessmen. Asante’s bow tie was bright green.
“Leaving us, Mr. Navarre?"
Somebody laughed, a little nervously.
Kellin dragged me a few more feet, then pulled me upright.
"No offense," he said.
Then he introduced my face to the gravel and walked away.
55
I’d been waiting for Detective Schaeffer at his desk for thirty minutes before he came down the hall with his garlic bagel in hand. Schaeffer looked even more tired than usual, like it’d been a busy morning for homicides.
“No time," he said. “Got a stiff to take care of. Want to come along?"
A few minutes later we were heading toward the East Side in an Oldsmobile so brown-wrapper and so obvious that some kid with a sense of humor had spraypainted “THIS IS NOT A POLICE CAR” on the sides, right in English, left in Spanish.
"Only fucking unit available," Schaeffer told me. Somehow, though, I got the feeling he kind of liked this one. We drove down Commerce for a few minutes before he said: “So what’s the occasion?"
“I thought we should talk."
“I said that two days ago."
“And I need a favor."
“Lovely."
He checked with Dispatch. Yes, the wagon was at the scene. They were waiting outside the house. Schaeffer swore, then blew his nose into the huge red napkin that had been holding his bagel a few minutes before.
"Waiting outside the house," he repeated. “Lovely."
“So the smell is inside," I said.
He made a noise that might have been a grudging acceptance. "Your dad was a cop."
We turned south on New Braunfels, then left into a neighborhood of matchbox houses and dirt front yards.
“So tell me about it," Schaeffer said.
I’m not sure when, the night before, I’d decided to come clean with Schaeffer. Somewhere around 3 A.M., I guess, when I’d finished picking the gravel out of my face and had been staring at the ceiling so long I started seeing dead faces in the crystalline plaster. Maybe they’d started looking a little too familiar. Or Carlon’s newspaper deadlines had started looking too close. Or maybe I just needed to make Larry Drapiewski and Carl Kelley proud of me. Whatever it was, I told Schaeffer what I knew.