Eight eighty-eight Ralston was a townhouse in the Gold Coast, the richest area of Chicago. It was set on its own little plot, surrounded by trees that hid the house from view almost entirely. High hedges, worked around the house in a small garden, added to the concealment as I drove up the white pebble drive, and parked the Beetle at the rear of a small fleet of police cars and emergency vehicles.
The strobing blue lights were almost comforting, by now. I'd seen them so many times that it felt, in an unsettling way, like a homecoming. Murphy had called me in early - I didn't see the forensics van yet, and only now were officers putting up yellow tape around the property.
I got out of my car, dressed in my jeans, button-down shirt, and boots again, my old black duster flapping around my calves. The wind was brisk, cold. The moon was riding high overhead, barely visible through the city's haze of pollution.
A chill ran down my neck, and I stopped, looking at the rows and rows of elegantly illuminated hedge sculptures, flower beds, and rows of shrubbery around me. I was abruptly certain that someone was out in the darkness; I could feel eyes on me.
I stared out at the night, sweeping my gaze slowly around. I could see nothing, but I would have bet money that there was someone out there. After a moment, the sense of being watched faded, and I shivered. I shoved my hands in my pockets and walked quickly toward the townhouse.
"Dresden," someone called, and I looked up to see Carmichael coming down the front stairs of the townhouse toward me. Carmichael was Murphy's right hand in Special Investigations. Shorter than average, rounder than average, slobbier than average, and with piggier eyes than average, Carmichael was a skeptic, a doubter, and a razor-sharp cop. He came down the stairs in his soup-stained old tie and shirtsleeves. "It's about fucking time. Jesus Christ, Dresden." He wiped a hand over his sweating brow.
I frowned down at Carmichael as we went up the stairs side by side. "That's the nicest greeting you've ever given me, I think," I said. "You change your mind about me being a fake?"
Carmichael shook his head. "No. I still think you're full of shit with this wizard-magic business. But Christ almighty, there are times when I wish you weren't."
"You never can tell," I said, my voice dry. "Where's Murphy?"
"Inside," Carmichael said, his mouth twisting with distaste. "You go on up the stairs. The whole place belongs to this guy. Murphy figures you might know something. I'm going to stay here and bog down the Feds when they show."
I glanced at him. "She still worried about looking bad for Internal Affairs?"
Carmichael grimaced. "Those assholes in IA would be all over her if she kicked the Feds out. Christ almighty, I get sick of city politics sometimes."
I nodded agreement and started up the stairs.
"Hey, Dresden," Carmichael said.
I looked over my shoulder at him, expecting the familiar jeers and insults. He was studying me with bright, narrow eyes. "I hear things about you and John Marcone. What's the deal?"
I shook my head. "No deal. He's lying scum."
Carmichael studied me intently, and then nodded. "You ain't much of a liar, Dresden. I don't think you could keep a straight face about something like this. I believe you."
"But you don't believe me when I say I'm a wizard?" I asked.
Carmichael grimaced and looked away. "Do I look like a fucking moron to you? Huh? You better get upstairs. I'll make some noise when Denton and the Stepford agents get here."
I turned to go and saw Murphy standing at the head of the stairs in a crisp grey business jacket and slacks, with sensible low heels and jewelry the color of steel. Her earrings seemed to be little more than bright beads of silver in her ears, which I had never really noticed when she had worn her golden hair long. Murphy's earlobes were cute. She'd kill me, just for thinking it.
"About time, Dresden. Get up here." Her voice was hard, angry. She vanished from the top of the stairway, and I took the rest of the stairs two at a time to catch up with her.
The apartment (though it was too big for the word to really apply) was brightly lit, and smelled, very faintly, of blood. Blood has a sweet sort of metallic odor. It makes the hairs on the back of your neck stand up, and mine snapped to attention at once. There was another smell as well, maybe incense of some kind, and the fresh scent of the wind. I turned down a short hall at the top of the stairs, and followed Murphy into what was apparently a master bedroom, where I found the source of all the scents.
There was no furniture inside the master bedroom - and it was huge, large enough to make you wince at how far you'd have to go to get to the bathroom in the middle of the night. There was no carpeting. There were no decorations on the walls. There was no glass in the huge, single-pane window, letting in the October wind. The full moon shone down through it like a picture in a frame.
What the room did have was blood. There was blood all over, scattered in droplets and splashed in spurts against one wall. The scarlet footprints of something like a large wolf led in a straight line toward the shattered window. In the center of the room were the remains of a greater circle of summoning, its three rings of symbols carefully wrought in white chalk upon the wooden floor, burning sticks of incense interspersed among the symbols of the second ring.
What was left of Kim Delaney lay naked and supine on the bloodstained floor a few feet from the circle. The expression of shock and surprise on her face wouldn't change until rigor set in. Her dark, once-glittering eyes stared up at the ceiling, and her lips were parted, as though in the middle of an apology.
A large, wheel-section of flesh beneath her chin was missing, and with it Kim's larynx and trachea. Bloody red meat was showing, the ragged ends of arteries and torn sections of muscle, and pale white bones gleamed at the bottom of the wound. Long rakes down her body had opened her like a Ziploc bag, leaving her covered in scarlet.
Something went «click» in my head. Someone threw some kind of switch that just turned off my emotions entirely and immersed me in a surreal haze. I couldn't be seeing this. It simply couldn't be real. It had to be some sort of game or hoax, in which the actors would start giggling in a few moments, unable to contain the mirth of their prank.
I waited. But no one started giggling. I wiped at my forehead with my hand and found cold sweat there. My fingers began to shake.
Murphy said, her voice still tight with anger, "Apparently, the incense set off the fire alarm in the hall. When the fire department got here, no one answered, so they came on in. They found her up here, around eight o'clock. She was still warm."
Eight o'clock. When I had been talking to the demon. Moonrise?
Behind me, Murphy closed the door to the bedroom. I turned to her, away from the grisly corpse. There was anger in every inch of her, in the way she glared at me.
"Murph," I said. "I don't know if I can do this."
"What's there to figure?" Murphy said. "There's a monster in the middle of the circle. I figure it's one of those loup-garou from your report. I figure it's Harley MacFinn, the owner of this house. Someone who knows he's going to go nuts when the moon rises. The girl tries to hold the monster inside the magic circle, right? Something goes wrong when MacFinn goes furry; he gets out of the circle, wastes her, then leaves."
"Uh-huh," I said, without turning around to look at Kim's body again. "It makes sense." And I told her what I had learned from the demon about Harley MacFinn, the Northwest Passage Project, and his antagonism with Marcone's business interests. Murphy listened to me in utter silence. When I was finished, she nodded, and turned to leave the room.
"Follow," she said shortly.
I followed, almost on her heels. I didn't turn around to see the room again before I left.
She led me down the hall, into another bedroom, this one furnished and neatly kept. "Come here," she said, moving to a dresser. I did, and she handed me a photograph of a middle-aged, starkly handsome man, his skin deeply tanned, the bones of his face gaunt and sharp. He was smiling.
Beside him in the picture was the amber-eyed woman from the department store where I'd run across the Alphas. She was also smiling. Her teeth were very white, very even, and her dark skin and silver-peppered hair went well with the man beside her. I chewed on my lip for a second, trying to think.
"That's Harley MacFinn," Murphy said. "Matches the picture on his driver's license. I didn't turn up any ID on the woman next to him, though." She studied my face critically. "She matches the description of the woman you said you saw in the department store, though. The one who followed us back from the scene in Rosemont. Is that her?"
I nodded. "Yeah. That's her."
Murphy nodded, took the picture from me, and set it back on the dresser. "Follow," she said again and walked out. I stared after her. What was wrong with Murphy? Had the scene unsettled her so much? I shook my head, still stunned from what I had seen, from too many facts coming together all at once, slam-bang in my brain.
"Murph, wait," I said. "Stop a minute. What's going on?"
She didn't answer me, just shot me a glare over her shoulder and continued walking. I hurried to catch up with her.
We went down what looked like a servant's narrow spiral staircase, down into the basement. She led me to the back of a storage room and pushed open a heavy, steel door there that opened onto a small, stark chamber, all of concrete, with no other exits. In the center of the chamber was another three-ring summoning circle, but this one's symbols had been made from silver and set into the concrete of the floor. Short bars of what looked like a mixture of silver and obsidian were interspersed around the second circle, creating what would, if the circle was functional, be a very formidable barrier.
But the symbols had been marred, torn, broken. Several from the critical inner ring had been pried up from the floor and were simply missing. Some of the bars had been broken. The circle, as it was, was nonfunctional and worthless - but whole, it would have served to contain Harley MacFinn when he shifted into his beast form. The room was a prison he had created for himself, something to contain the fury of the beast inside of him.
But someone had intentionally marred the circle, made the prison useless.
And I abruptly understood Kim Delaney's request. She had to have known Harley MacFinn, maybe through her environmental activism. She must have learned of his curse, and wanted to help him. When I had refused to help her, she had attempted to recreate the greater summoning circle upstairs in the bedroom, to hold in MacFinn once the moon rose. As I had warned her would happen, she had failed. She hadn't had the knowledge necessary to understand how such a construct would function, and consequently, she hadn't been able to make it work.
MacFinn had killed her. Kim was dead because I had refused to share my knowledge with her, because I hadn't given her my help. I had been so secure in my knowledge and wisdom; withholding such secrets from her had been the action of a concerned and reasoned adult speaking to an overeager child. I couldn't believe my own arrogance, the utter confidence with which I had condemned her to death.
I started to shake, harder, too many things pressing against my head, my heart. I could feel the pressure, somewhere inside of me, that switch on the inside of my head quivering, getting ready to flick back beneath a tide of raging anger, fury, regret, self-hatred. I took deep breaths and closed my eyes, trying not to let it happen.
I opened my eyes and looked up at Murphy. God, I needed to talk to her. I needed a friend. I needed someone to listen, to tell me it would be all right whether it was the truth or not. I needed someone to let me unload on them, to keep me from flying apart.
She regarded me with cold, angry eyes.
"Karrin," I whispered.
She drew from her pocket a crumpled piece of paper. She unfolded it, and held it up to me, so that I could see Kim Delaney's graceful handwriting, the sketch of the summoning circle that she had brought to me in McAnally's. The sketch I had refused to tell Kim about. The sketch I had crumpled into a little ball and tossed on the floor, and which Murphy had picked up, absently, just to get the trash out of people's way.
And I realized why there was so much anger in Murphy's eyes.
I stared at the sketch. "Karrin," I began again. "Stars above, you've got to listen to me." I took the sketch from her hands, my fingers trembling.
"Harry," she said, in a calm tone. "You lying bastard," and on the word she drove her fist into my stomach, hard, doubling me over. The motion put my head within easy reach, and her fist took me across the jaw in a right cross that sent me to the floor like a lump of wet pasta, stars dancing in my vision.
I was only dimly aware of her taking the sketch back from me. She twisted my arms painfully behind my back, and snapped her handcuffs around my wrists. "You promised me," she said, her voice furious. "You promised. No secrets. You lied to me all along. You played me like a sucker the entire while. Godammit, Dresden, you're involved in this and people are dying."
"Murph," I mumbled. "Wait."
She grabbed my hair, jerked my head back, and slammed me across the jaw again, near-berserk anger lending her strength. My head swam, and blackness closed over my vision for several seconds.
"No more talking. No more lies," I heard her say, and she dragged me to my feet, shoved my face and chest against a wall, and began searching me for weapons. "No more people torn up like meat on a block. You have the right to remain silent. Anything you say can and will be used against you in a court of law."
She took my blasting rod. My shield bracelet. The energy ring. Even my lump of chalk. Her voice went on, hard, cold, and professional, letting me know my rights.
I closed my eyes and leaned against the stone wall. Next to my head, it was the softest thing in the room. I didn't try to fight or to explain.
What was the point?