Maryellen had agonized over that decision, but in the end she knew she couldn’t. Not with a newborn and a toddler. Her primary concern had to be her own family. When she told Jon, she saw the relief in his eyes—but if she’d wanted to go back to work, her husband would have honored her decision. Thankfully, Jon desired the same things she did. Family came before anything else, even if that meant sacrifices.
The first call was from Will Jefferson, the brother of her mother’s best friend. Will said he was interested in buying the Harbor Street Gallery and asked if he could stop by later that afternoon to discuss it. Maryellen felt slightly uncomfortable about this; Will, after all, was the man who’d come between Cliff and her mother. But if he bought the gallery, he’d make a real difference to Cedar Cove, a positive difference, and she was grateful for that possibility. So naturally, she’d agreed to the meeting, although she’d made it plain that she wouldn’t be able to work for him.
The second exciting call followed within the hour. During a ten-minute conversation with artists’ agent Marc Albright, Jon’s financial future had changed. Marc wanted to represent Jon’s work. The opportunities, he said, were endless. Maryellen had researched artists’ representatives and e-mailed a number of the most reputable, then sent them samples of Jon’s photographs. It had paid off.
Now Jon would be able to devote all his working time to photography. While she was pregnant with Drake, he’d found employment taking school pictures. Maryellen knew how much he hated that, although he’d never complained. He was doing what he had to in order to pay the bills.
Her biggest fear was that the job would kill Jon’s love for photography. Until the fire that burned down The Lighthouse, he’d supplemented their income by working as a chef. With that fire had gone his employment. The restaurant had provided a steady—and reasonably good—salary, so they felt the financial loss immediately.
And yet, in unexpected ways, the fire had actually been a blessing.
If not for the arson, the rift between her husband and his parents might never have been settled. If not for the fire, Jon might’ve been content to work as a chef and keep his photography as a sideline business.
Behind a camera, Jon came alive. His photographs of the rainforest were so vivid, viewers felt that if they reached out and touched the print, their fingers would come away moist.
Until they’d started seeing each other, he didn’t often take photos of people. But after Katie’s birth and then Drake’s, he’d taken thousands of family pictures. Maryellen had to admit she was self-conscious about the photographs he’d done of her but when she looked at them objectively, she could see what other people did. A man’s love for a woman. A mother’s love for a child. Still, her favorite was a picture of his father gazing down at the infant in his arms. Joseph’s craggy face, juxtaposed against the smooth, soft lines of the infant’s, was so moving it could bring her to tears.
But Jon’s scenic work was where he truly excelled. One of his best-known was of an eagle in flight, wings in a graceful arc, poised above the blue-green waters of Puget Sound. Another was of a ferry crossing with Mt.Rainier in the background. An art gallery in Seattle routinely sold his work, as did the Harbor Street Gallery; unfortunately, the money he made as a photographer hadn’t been enough to support their family. That, however, was about to change.
Shortly after Drake was born, Jon had begun another job as a chef, working at Anthony’s HomePort in GigHarbor. It meant he could quit his job with the photo studio, which was a plus, but the hours were a problem. Because he had the evening shift, Maryellen was alone with the children most nights. The benefit was that her husband could spend the mornings with Katie and Drake. Maryellen loved him all the more for the way he treasured their children.
She heard a car door slam and eased a sleeping Drake onto her shoulder as she went to the door. When she didn’t recognize the man who stepped out of the car, she assumed it must be Will Jefferson. As quickly as she could, she straightened the living room, collecting toys, cups, books and magazines, and rushing them to the kitchen. Katie attempted to help, but her efforts only added to the general chaos.
There was a knock at the door. She opened it, slightly out of breath.
“Maryellen Bowman?” the man asked.
She nodded and nearly tripped over her daughter, who grabbed hold of her leg. “Katie,” she chastised, moving the little girl out of her way. “Watch where you are.” Her reprimand had no effect. Katie wrapped her arm around Maryellen’s thigh and clung to her mother.
“You must be Will Jefferson,” she said, choosing to ignore the child hanging from her leg.
“I am.” Will smiled at Katie, who finally stepped aside. He came into the house.
Looking at the living room through his eyes, Maryellen felt compelled to apologize. “Please excuse the mess, but as you can see I’ve got my hands full here.”
“I understand. Don’t worry about it.”
They sat down on the sofa and when she offered him refreshments, Will declined. Just as well, because all she had was apple juice and graham crackers.
After some casual conversation, Will produced a pad and pen and asked a series of detailed, intelligent questions. Maryellen answered them to the best of her ability. Judging by the things he wanted to know about the gallery, the local artists and the sales when she was manager, Will Jefferson would do an excellent job—if he bought the place. The fact that he lavishly praised Jon’s work endeared him even more.
“I do hope you give this serious consideration,” Maryellen told him when he’d finished. “The gallery’s been part of this community for a long time. Everyone is upset that it’s going to close.”
Will glanced over his notes. “After I talk to a couple more people, including my accountant, I’m going to contact the owners and see if we can come to an agreement. This sounds like exactly the kind of opportunity I was hoping to find.”
“It would be wonderful to see the gallery back the way it used to be,” she said wistfully.
Just as Will was getting ready to leave, Maryellen heard another car door close. She hadn’t had company in several days and two guests in the same afternoon was certainly unexpected.
“I’d better be going,” Will said, coming to his feet. He smiled at Katie again and the little girl shrieked and buried her face in the sofa.
Shaking her head, Maryellen saw him to the door and noticed Cliff Harding, her stepfather, climbing out of his truck. They stared at each other, and Maryellen remembered again what she’d heard about Will Jefferson—and her mother. Now the two men were meeting face to face. In her front yard.
Not sure what to do, Maryellen shut the door and stepped over to the window to watch. At first, both men maintained a respectable distance from each other. From the set of Cliff’s shoulders, Maryellen could tell he was tense. But gradually his shoulders relaxed and after a few minutes, the two men approached each other and shook hands. Maryellen saw, to her astonishment, that they were smiling.