Interview with the Vampire (The Vampire Chronicles #1) - Page 31/33

PART IV

"And that is the end of the story, really.

"Of course, I know you wonder what happened to us afterwards. What became of Armand? Where did I go? What did I do? But I tell you nothing really happened. Nothing that wasn't merely inevitable. And my journey through the Louvre that last night I've described to you, that was merely prophetic.

"I never changed after that. I sought for nothing in the one great source of change which is humanity. And even in my love and absorption with the beauty of the world, I sought to learn nothing that could be given back to humanity. I drank of the beauty of the world as a vampire drinks. I was satisfied. I was filled to the brim. But I was dead. And I was changeless. The story ended in Paris, as I've said.

"For a long time I thought that Claudia's death had been the cause of the end of things. That if I had seen Madeleine and Claudia leave Paris safely, things might have been different with me and Armand. I might have loved again and desired again, and sought some semblance of mortal life which would have been rich and varied, though unnatural. But now I have come to see that was false. Even if Claudia had not died, even if I had not despised Armand for letting her die, it would have all turned out the same. Coming slowly to know his evil, or being catapulted into it... was all the same. I wanted none of it finally. And, deserving nothing better, I closed up like a spider in the flame of a match. And even Armand who was my constant companion, and my only companion, existed at a great distance from me, beyond that veil which separated me from all living things, a veil which was a form of shroud.

"But I know you are eager to hear what became of Armand. And the night is almost ended. I want to tell you this because it is very important. The story is incomplete without it.

"We traveled the world after we left Paris, as I've told you; first Egypt, then Greece, then Italy, Asia Minor-wherever I chose to lead us, really, and wherever my pursuit of art led me. Time ceased to exist on any meaningful basis during these years, and I was often absorbed in very simple things-a painting in a museum, a cathedral window, one single beautiful statue-for long periods of time.

"But all during these years I had a vague but persistent desire to return to New Orleans. I never forgot New Orleans. And when we were in tropical places and places of those flowers and trees that grow in Louisiana, I would think of it acutely and I would feel for my home the only glimmer of desire I felt for anything outside my endless pursuit of art. And, from time to time, Armand would ask me to take him there. And I, being aware in a gentlemanly manner that I did little to please him and often went for long periods without really speaking to him or seeking him out, wanted to do this because he asked me. It seemed his asking caused me to forget some vague fear that I might feel pain in New Orleans, that I might experience again the pale shadow of my former unhappiness and longing. But I put it off. Perhaps the fear was stronger than I knew. We came to America and lived in New York for a long time. I continued to put it off. Then, finally, Armand urged me in another way. He told me something he'd concealed from me since the time we were in Paris.

"Lestat had not died in the Theatre des Vampires. I had believed him to be dead, and when I asked Armand about those vampires, he told me they all had perished. But he told me now that this wasn't so. Lestat had left the theater the night I had run away from Armand and sought out the cemetery in Montmartre. Two vampires who had been made with Lestat by the same master had assisted him in booking passage to New Orleans.

"I cannot convey to you the feeling that came over me when I heard this. Of course, Armand told me he had protected me from this knowledge, hoping that I would not undertake a long journey merely for revenge, a journey that would have caused me pain and grief at the time. But I didn't really care. I hadn't thought of Lestat at all the night I'd torched the theater. I'd thought of Santiago and Celeste and the others who had destroyed Claudia. Lestat, in fact, had aroused in me feelings which I hadn't wished to confide in anyone, feelings I'd wished to forget, despite Claudia's death. Hatred had not been one of them.

"But when I heard this now from Armand it was as if the veil that protected me were thin and transparent, and though it still hung between me and the world of feeling, I perceived through it Lestat, and that I wanted to see him again. And with that spurring me on, we returned to New Orleans.

"It was late spring of this year. And as soon as I emerged from the railway station, I knew that I had indeed come home. It was as if the very air were perfumed and peculiar there, and I felt an extraordinary ease walking on those warm, flat pavements, under those familiar oaks, and listening to the ceaseless vibrant living sounds of the night.

"Of course, New Orleans was changed. But far from lamenting those changes, I was grateful for what seemed still the same. I could find in the uptown Garden District, which had been in my time the Faubourg St: Marie, one of the stately old mansions that dated back to those times, so removed from the quiet brick street that, walking out in the moonlight under its magnolia trees, I knew the same sweetness and peace I'd known in the old days; not only in the dark, narrow streets of the Vieux Carre but in the wilderness of Pointe du Lac. There were the honeysuckle and the roses, and the glimpse of Corinthian columns against the stars; and outside the gate were dreamy streets, other mansions... it was a citadel of grace.

"In the Rue Royale, where I took Armand past tourists and antique shops and the bright-lit entrances of fashionable restaurants, I was astonished to discover

the town house where Lestat and Claudia and I had made our home, the facade little changed by fresh plaster and whatever repairs had been done within. Its two French windows still opened onto the small balconies over the shop below, and I could see in the soft brilliance of the electric chandeliers an elegant wallpaper that would not have been unfamiliar in those days before the war. I had a strong sense of Lestat there, more of a sense of him than of Claudia, and I felt certain, though he was nowhere near this town house, that I'd find him in New Orleans.

"And I felt something else; it was a sadness that came over me then, after Armand had gone on his way. But this sadness was not painful, nor was it passionate. It was something rich, however, and almost sweet, like the fragrance of the jasmine and the roses that crowded the old courtyard garden which I saw through the iron gates. And this sadness gave a subtle satisfaction and held me a long time in that spot; arid it held me to the city; and it didn't really leave me that night when I went away.

"I wonder now what might have come of this sadness, what it might have engendered in me that could have become stronger than itself. But I jump ahead of my story.

"Because shortly after that I saw a vampire in New Orleans, a sleek white-faced young man walking alone on the broad sidewalks of St. Charles Avenue in the early hours before dawn. And I was at once convinced that if Lestat still lived here that vampire might know him and might even lead me to him. Of course, the vampire didn't see me. I had long ago learned to spot my own kind in large cities without their having a chance to see me. Armand, in his brief visits with vampires in London and Rome, had learned that the burning of the Theatre des Vampires was known throughout the world, and that both of us were considered outcasts. Battles over this meant nothing to me, and I have avoided them to this day. But I began to watch for this vampire in New Orleans and to follow him, though often he led me merely to theaters or other pastimes in which I had no interest. But one night, finally, things changed.

"It was a very warts evening, and I could tell as soon as I saw him on St. Charles that he had someplace to go. He was not only walking fast, but he seemed a little distressed. And when he turned off St. Charles finally on a narrow street which became at once shabby and dark, I felt sure he was headed for something that would interest me.

"But then he entered one side of a small wooden duplex and brought death to a woman there. This he did very fast, without a trace of pleasure; and after he was finished, he gathered her child up from the bassinet, wrapped it gently in a blue wool blanket, and came out again into the street.

"Only a block or two after that, he stopped before a vine-covered iron fence that enclosed a large overgrown yard. I could see an old house beyond the trees, dark, the paint peeling, the ornate iron railings of its long upper and lower galleries caked with orange rust. It seemed a doomed house, stranded here among the numerous small wooden houses, its high empty windows looking out on what must have been a dismal clutter of low roofs, a comer grocery, and a small adjacent bar.. But the broad, dark grounds protected the house somewhat from these things, and I had to move along the fence quite a few feet before I finally spotted a faint glimmer in one of the lower windows through the thick branches of the trees. The vampire had gone through the gate. I could hear the baby wailing, and then nothing. And I followed, easily mounting the old fence and dropping down into the garden and coming up quietly onto the long front porch.

"It was an amazing sight I saw when I crept up to one of the long, floor-length windows. For despite the heat of this breezeless evening when the gallery, even with its warped and broken boards, might have been the only tolerable place for human or vampire, a fire blazed in the grate of the parlor and all its windows were shut, and the young vampire sat by that fire talking to another vampire who hovered very near it, his slippered feet right up against the hot grate, his trembling fingers pulling over and over at the lapels of his shabby blue robe. And, though a frayed electric cord dangled from a plaster wreath of roses in the ceiling, only an oil lamp added its dim light to the fire, an oil lamp which stood by the wailing child on a nearby table.

"My eyes widened as I studied this stooped and shivering vampire whose rich blond hair hung down in loose waves covering his face. I longed to wipe away the dust on the window glass which would not let me be certain of what I suspected.'You all leave me!' he whined now in a thin, high-pitched voice.

"'You can't keep us with you! said the stiff young vampire sharply. He sat with his legs crossed, his arms folded on his narrow chest, his eyes looking around the dusty, empty room disdainfully.'Oh, hush!' he said to the baby, who let out a sharp cry.'Stop it, stop it.'

"'The wood, the wood,' said the blond vampire feebly, and, as he motioned to the other to hand him the fuel by his chair, I saw clearly, unmistakably, the profile of Lestat, that smooth skin now devoid of even the faintest trace of his old scars.

"'If you'd just go out,' said the other angrily, heaving the chunk of wood into the blaze.'If you'd just hunt something other than these miserable animals... :And he looked about himself in disgust. I saw then, in the shadows, the small furry bodies of several cats, lying helter-skelter in the dust. A most remarkable thing, because a vampire can no more endure to be near his dead victims than any mammal can remain near any place where he has left his waste. 'Do you know that it's summer?' demanded the young one. Lestat merely rubbed his hands. The baby's howling cued off, yet the young vampire added,'Get on with it, take it so you'll be warm.'

"'You might have brought me something else!' said Lestat bitterly. And, as he looked at the baby, I saw his eyes squinting against the dull light of the smoky lamp. I felt a shock of recognition at those eyes, even at the expression beneath the shadow of the deep wave of his yellow hair. And yet to hear that whining voice, to see that bent and quivering back! Almost without thinking I rapped hard on the glass. The young vampire was up at once affecting a hard, vicious expression; but I merely motioned for him to turn the latch. And Lestat, clutching his bathrobe to his throat, rose from the chair.

"'It's Louis! Louis!' he said.'Let him in' And he gestured frantically, like an invalid, for the young'nurse' to obey.

"As soon as the window opened I breathed the stench of the room and its sweltering heat. The swarming of the insects on the rotted animals scratched at my senses so that I recoiled despite myself, despite Lestat's desperate pleas for me to come to him. There, in the far corner, was the coffin where he slept, the lacquer peeling from the wood, half covered with piles of yellow newspapers. And bones lay in the corners, picked clean except for bits and tufts of fur. But Lestat had his dry hands on mine now, drawing me towards him and towards the warmth, and I could see the tears welling in his eyes; and only when his mouth was stretched in a strange smile of desperate happiness that was near to pain did I see the faint traces of the old scars. How baffling and awful it was, this smoothfaced, shimmering immortal man bent and rattled and whining like a crone.

"'Yes, Lestat,' I said softly.'I've come to see you' I pushed his hand gently, slowly away and moved towards the baby, who was crying desperately now from fear as well as hunger. As soon as I lifted it up and loosened the covers, it quieted a little, and then I patted it and rocked it. Lestat was whispering to me now in quick, half-articulated words I couldn't understand, the tears streaming down his cheeks, the young vampire at the open window with a look of disgust on his face and one hand (r)n the window latch, as if he meant at any minute to bolt.

"'So you're Louis,' said the young vampire. This seemed to increase Lestat's inexpressible. excitement, and he wiped frantically at his tears with the hem of his robe.

"A fly lit on the baby's forehead, and involuntarily I gasped as I pressed it between two fingers and dropped it dead to the floor. The child was no longer crying. It was looking up at me with extraordinary blue eyes, dark-blue eyes, its round face glistening from the heat, and a smile played on its lips, a smile that grew brighter like a flame. I had never brought death to anything so young, so innocent, and I was aware of this now as I held the child with an odd feeling of sorrow, stronger even than that feeling which had come over me in the Rue Royale. And, rocking the child gently, I pulled the young vampire's chair to the fire and sat down.

"'Don't try to speak... it's all right,' I said to Lestat, who dropped down gratefully into his chair and reached out to stroke the lapels of my coat with both hands.

"'But I'm so glad to see you,' he stammered through his tears.'I've dreamed of your coming... coming. . ' he said. And then he grimaced, as if he were feeling a pain he couldn't identify, and again the fine map of scars appeared for an instant. He was looking off, his hand up to his ear, as if he meant to cover it to defend himself from some terrible sound.'I didn't... ' he started; and then he shook his head, his eyes clouding as he opened them wide, strained to focus them.'I didn't mean to let them do it, Louis... I mean that Santiago... that one, you know, he didn't tell me what they planned to do.'

"'That's all past, Lestat,' I said.

"'Yes, yes,' he nodded vigorously.'Past. She should never... why, Louis, you know.... ' And he was shaking his head, his voice seeming to gain in strength, to gain a little in resonance with his effort.'She should have never been one of us, Louis.' And he rapped his sunken chest with his fist as he said'Us' again softly.

"She. It seemed then that she had never existed That she had been some illogical, fantastical dream that, was too precious and too personal for me ever to confide in anyone. And too long gone. I looked at him. I stared at him. And tried to think, Yes, the three of us together.

"'Don't fear me, Lestat,' I said, as though talking to myself.'I bring you no harm.'

"'You've come back to me, Louis,' he whispered in that thin, high-pitched voice.'You've come home again to me, Louis, haven't you?' And again he bit his lip and looked at me desperately.

"'No, Lestat.' I shook my head. He was frantic for a moment, and again he commenced one gesture and then another and finally sat there with his hands over his face in a paroxysm of distress. The other vampire, who was studying me coldly, asked:

"'Are you... have you come back to him?'

"'No, of course not,' I answered. And he smirked, as if this was as he expected, that everything fell to him again, and he walked out onto the porch. I could hear him there very near, waiting.