Still Life - Page 43/115

‘So there’s Jane’s picture,’ said Clara, hauling a medium-size canvas out from the storage room and putting it on an easel. ‘Not everyone liked it.’

Nichol was on the verge of saying, ‘No kidding’, but remembered her pledge.

‘Did you like it?’ Beauvoir asked.

‘Not at first, but the longer I looked the more I liked it. Something sort of shimmered into place. It went from looking like a cave drawing to something deeply moving. Just like that.’ And Clara snapped her fingers.

Gamache thought he’d have to stare at it for the rest of his life before it looked anything other than ridiculous. And yet, there was something there, a charm. ‘There are Nellie and Wayne,’ he said pointing, surprised, to two purple people in the stands.

‘Here’s Peter.’ Clara pointed to a pie with eyes and a mouth, but no nose.

‘How’d she do it? How could she get these people so accurately with two dots for eyes and a squiggly line for a mouth?’

‘I don’t know. I’m an artist, have been all my life, and I couldn’t do that. But there’s more to it than that. There’s a depth. Though I’ve been staring at it for more than an hour now and that shimmering thing hasn’t happened again. Maybe I’m too needy. Maybe the magic only works when you’re not looking for it.’

‘Is it good?’ Beauvoir asked.

‘That’s the question. I don’t know. Peter thinks it’s brilliant, and the rest of the jury, with one exception, was willing to risk it.’

‘What risk?’

‘This might surprise you, but artists are temperamental so-and-sos. For Jane’s work to be accepted and shown, someone else’s had to be rejected. That someone will be angry. As will his relatives and friends.’

‘Angry enough to kill?’ Beauvoir asked.

Clara laughed. ‘I can absolutely guarantee you the thought has crossed and even lodged in all our artistic brains at one time or another. But to kill because your work was rejected at Arts Williamsburg? No. Besides, if you did, it would be the jury you’d murder, not Jane. And, come to think of it, no one except the jury knew this work had been accepted. We’d only done the judging last Friday.’ It seems so long ago now, thought Clara.

‘Even Miss Neal?’

‘Well, I told Jane on Friday.’

‘Did anyone else know?’

Now Clara was getting a little embarrassed. ‘We talked about it over dinner that night. It was a sort of pre-Thanksgiving dinner with our friends at our place.’

‘Who was at the dinner?’ Beauvoir asked, his notepad out. He no longer trusted Nichol to take proper notes. Nichol saw this and resented it almost as much as she’d resented it when they’d asked her to take notes. Clara ran down the list of names.

Gamache, meanwhile, was staring at the picture.

‘What’s it of?’

‘The closing parade at the county fair this year. There,’ and Clara pointed to a green-faced goat with a shepherd’s crook, ‘that’s Ruth.’

‘By God, it is,’ said Gamache, to Beauvoir’s roar of laughter. It was perfect. He must have been blind to miss it. ‘But wait,’ Gamache’s delight suddenly disappeared, ‘this was painted the very day, at the very time, Timmer Hadley was dying.’

‘Yes.’

‘What does she call it?’

‘Fair Day.’

SIX

Even in the rain and wind Gamache could see how beautiful the countryside was. The maples had turned deep reds and oranges, and leaves blown down in the storm were spread along the road and gully like a tapestry. Their drive had taken them out of Williamsburg toward Three Pines, through the mountain range that separated the two. The road, like most sensible ones, followed the valleys and the river and was probably the old stagecoach route, until Beauvoir turned off on to an even smaller dirt road. Huge potholes jarred their car and Gamache could barely read his notes. He’d long since trained his stomach not to lurch with whatever vehicle he was in, but his eyes were proving more recalcitrant.

Beauvoir slowed down at a large metal mailbox painted sunny yellow. Hand printed in white was the number and the name, ‘Croft’. He turned in. The huge maples continued up the drive, creating a Tiffany tunnel.

Through the furious windscreen wiper Gamache saw a white clapboard farmhouse. The home had a comfortable, lived-in look. Tall, end-of-season sunflowers and hollyhocks leaned against it. Woodsmoke whispered out of the chimney to be grabbed away by the wind and taken home to the woods beyond.